Vasilij Ivanovich Nemirovich-Danchenko

Written by Никита Гусев
Vasilij Ivanovich Nemirovich-Danchenko Vasilij Ivanovich Nemirovich-Danchenko

24.12.1844 (05.01.1845) – 18.09.1936

A famous Russian writer and the author of about 250 artistic and ethnographic essays, novels, short stories, collections of reports and poems.


He was the father of Russian military journalism, and his name was known in pre-revolutionary Russia to everyone “from tsar to schoolboy.” Nemirovch-Danchenko was born into the family of an officer on the outskirts of the Russian empire in Tiflis (present-day Tbilisi in Georgia). He spent his childhood in the Caucasus at the height of the war with the mountain peoples. His father’s various postings while in the service allowed him to become familiar with Georgia, Azerbaijan and Dagestan, where he first began to pay attention to the details of the life and customs of different peoples. Nemirovicn-Danchenko enrolled in a cadet school in Moscow, but without graduating he went to St. Petersburg, hoping to enter the world of writers. Later he was banished for embezzling money to the northern, European part of Russia – to the city of Arkhangelsk. There he began to write articles in the then-popular travel note genre, richly filling them with details of the life and customs of the local population, landscape sketches, stories of adventures on the road and interesting encounters. Published in leading Russian journals, these works were well received by critics and brought him fame.

In subsequent years he traveled often, describing in his articles the Caucasus, the Urals, the countries of Europe, Asia Minor and Africa. He “fell in love” with Spain, and the Spanish theme resonated in many of his works. In 1876, when Serbia declared war on the Ottoman Empire, Nemirovich-Danchenko went to observe the theater of war and cover the events taking place there and was lightly wounded in the leg. A year after the outbreak of the Russian-Turkish War, the journalist found himself in the Balkans again, and the articles and books he wrote there became the pinnacle of his work.
The Russian-Turkish War of 1877–1878 was the first war that readers followed almost in real time. Thanks to technological progress, the public learned of the news of victories and defeats at the front from newspapers the day after the incident. For the first time, correspondents were permitted to be officially embedded with the Russian army, which allowed Nemirovich-Danchenko to spend about a year following the war, more than all of the other journalists. He was the only Russian military correspondent able to visit all of the combat positions and to cover Tsar Alexander II of Russia’s activities in the Balkans. His reporting on the siege of Plevna, the battles at Shipka Pass and the winter passage through the Balkans, signed with the pseudonym “Six,” brought him national fame. Portraits of Nemirovich-Danchenko, as well as of other heroes of the Russian-Turkish War of 1877–1878, were placed on the packaging of a chocolate produced at that time, and he was awarded the Cross of St. George, the most honored among military awards.

After returning home, the writer prepared to publish a three-volume collection of his impressions of the Russian-Turkish War, which was met with public success. He then returned to Bulgaria to see how the formation of the young state was going. Nemirovich-Danchenko admired how thoroughly the Bulgarians approached the matter of restoring their state. According to him, they were aware of the instability of relying on only one army and that it was only possible to ensure their future and independence through a combination of “books and fire,” i.e., it also required developing their culture. He was pleased with the democratic order established by the Bulgarian constitution that was, alas, absent in his homeland. The clash of the nascent Bulgarian intelligentsia with the Russian bureaucratic system made him feel bitter. Bulgarian statehood was created with the help of Russia while the temporary Russian administration was working on the territory of this country. Among his fellow countrymen-officials, Vasily Ivanovich repeatedly noted ignorance, rudeness, and an unwillingness to understand a young, but culturally developed people, whose intelligentsia was ready to die for their homeland but not to be whipped for it.

Impressions from his stay in Bulgaria then formed the basis of three of the writer’s novels, describing the events of the era of the Russian-Turkish War. These works were distinguished by an abundance of characters, among whom were soldiers, officers, officials, residents of Bulgarian villages, etc., but his characters were not fleshed out and did not impress the reader. Nevertheless, the author managed to create vivid images of the nurses and embody in them the best qualities of Russian womanhood – i.e., the sort of self-sacrifice that brought a famous actress, a student, as well as a “fallen” woman to the warfront.

In the years of peace that followed, Nemirovich-Danchenko searched for new themes for his works. In his novels, he described the rapid development of industry and Russia’s economy at the end of the 19th century, whereas other writers of the time were writing love poetry about different types of love and love affairs. However, at the same time critics noted the implausibility of his plot denouements and the writer’s penchant for theatrics and theatrical dialogue. Nemirovich-Danchenko himself did not overestimate his place in Russian literature, considering himself “a mediocre novelist, a conscientious and tireless journalist and a good war correspondent.” Therefore, as soon as the Russo-Japanese War broke out in 1904, Nemirovich-Danchenko immediately set off for the front and over the course of a year published about 350 dispatches, which were in great demand with readers.
In 1912, when the first Balkan war broke out (Bulgaria, Serbia, Greece and Montenegro opposed the Ottoman Empire) Nemirovich-Danchenko wanted to see how the country whose liberation he had witnessed would now battle against its centuries-long oppressor. Therefore, despite his advanced years, he set off for the Balkans. He was received in Bulgaria with all sorts of honors: newspapers reported on his arrival, he was given a reception, and the top officials of the Bulgarian state secured a pass for him to the front lines. He was the first foreign correspondent to witness the fighting with the Turks firsthand. His articles from 1912 were full of nostalgia for the Russian-Turkish War. Following the Bulgarian army, he traced familiar routes and remembered the advance of the Russian army 35 years before. Looking at the unapproachable Chataldzha fortifications near Constantinople, he thought about the epic siege of Plevna and saw in the Bulgarian soldiers the successors of the Russian troops.

Bulgarian statehood filled him with delight, because he was able to see with his own eyes the path the country had taken since its liberation. Nemirovich-Danchenko admired the transformed Bulgarian cities, claimed that Bulgarians were almost universally literate, democracy was present, both in politics and in human relations, and there was full freedom of the press. The essence of his description of the young, recently revived Bulgarian kingdom was expressed in his toast at a dinner party: “To the Bulgaria of mind, knowledge, progress and work!” Only one thing upset the writer – the attitude of the Bulgarians to the wounded, to whom they showed not a shred of sympathy. The writer considered that no matter how competent or hardworking they might be, it was too early to deem a people as having reached the pinnacle of civilization if they had not cultivated a respect for life. However, the first Balkan war was followed by the second, inter-allied Balkan war, and the country’s progress was interrupted. During World War I, Bulgaria initially took a position of neutrality, and Nemirovich-Danchenko, using his authority, tried to encourage the Bulgarians to act in concert with Russia. Publicly addressing them, he exclaimed: “Bulgarians! Where are you? Why are you not with us in this bright and joyful hour of shared selfless sacrifice?” However, Sofia eventually sided with the Central powers – Germany, Austria-Hungary and Turkey.

Nemirovich-Danchenko, naturally, could not miss the next war and went to the front as a correspondent. He covered battles in Galitsia, the Caucasus and even near Verdun. “In his Astrakhan hat and whiskers, despite his age, he runs around like mad, and produces writing that is embarrassing to print.” – one contemporary wrote about him. Indeed, with age Nemirovich-Danchenko’s dispatches became ever more Germanophobic and jingoistic. Parodying his messages, some journalists wrote about detained Austrian trains with cars full of needles for gouging out the eyes of Serbians, and about magazine covers made by the Turks from the skin of Christians.

Although after the October revolution Vasily Ivanovich remained in the country, unlike his brother Vladimir (a famous theatre director), he did not accept the political changes that took place. In 1922, under the pretext of needing to conduct archival research for a large-scale work, National Heroes, Leaders and Martyrs, Hemirovich-Danchenko received an exit visa and went to Berlin. After spending a year there, he moved to “the Russian Athens” of that time – to Prague, where the cream of the Russian йmigrй intelligentsia had gathered. His countrymen treated him with great respect, but his new literary works were perceived as anachronistic. Nevertheless, he remained strong in spirit, and in 1934 the йmigrй community celebrated the 90th birthday of the journalist and writer with great fanfare. Two years later Vasily Ivanovich died and was buried in a cemetery in Prague.

Nemirovich-Danchenko was a younger contemporary of Dostoyevsky and Chekhov’s elder. He outlived both of these classical writers and managed to write far more than they did. He became part of the history of Russian literature, primarily as the father of war reporting. His dispatches from the Russian-Turkish War of 1877–1878 were particularly famous. They marked a new page in the development of journalism and revealed the Bulgaria of that time to Russian society. His speeches in defense of Bulgaria and its popularization were appreciated by the Bulgarian people. In 1935, in Bulgaria, he was awarded a state pension. In the USSR, the writer’s flight abroad led to the banning of his books up until the collapse of the communist system in the country. Nowadays, although interest in Nemirovich-Danchenko’s travelogues has gradually revived, one cannot consider them to be widely studied.


  • Кулагина А.А. Публицистика В.И. Немировича-Данченко в русско-турецкую войну 1877–1878 годов. – Век информации, 2015, № 2.
  • Гусев Н.С. Патриарх отечественной военной журналистики Вас.И. Немирович-Данченко и его корреспонденция с Первой балканской войны. – In: Studia historiae Bulgariae et Europae Orientalis. К юбилею Т. В. Волокитиной. Москва, 2017.
  • Хмара В. Возвращение. – В: Немирович-Данченко Вас. И. На кладбищах. Воспоминания. Москва, 2001.


SESDiva ERA.Net RUS Plus Call 2017 – S&T

SESDiva. Project № 156

SESDiva aims at creating a virtual museum of written culture in relation to the social, religious, cultural, and ideological environment and relations between the South and East Slavs throughout the centuries from the 11th to the beginning of the 20th century.

Duration: 2018-2020
Program: ERA.Net RUS Plus Call 2017 ‐ S&T Projects